So what’s the diverse in diversity?
Back in 2019 the cultural and film critic Clive Nwonka wrote in the Guardian, The arts were supposed to champion diversity. What went wrong? In it he reflects on Arts Council England’s (ACE) annual report on diversity, which revealed “a sector despite the rhetoric, still steeped in inequality.” (5) At the time the report was written, it showed that there was little to no improvement when it came to Art’s organisations in England improving the diversity of their leaders and workers in their workforce. In particular it highlighted that there was slow progress in the representation of black and minority ethnic employees in these positions and similarly, if not slightly worse, there was barely any progress for those with disabilities, which reiterates the earlier point made by the audience member with a disability.
Two key points, Nwonka raises which are important to this article, the first is that when people or organisations are seen to do diversity work, often, it seems like tick boxing exercises. He highlights organisations working towards the business case, however one of the ideas that the article is suggesting, is that you can’t use a business case to deal with people, to deal with staff well-being and engagement. People are not just data, although collecting data and being able to interpret data ethically and correctly are important.
Secondly, he then points out to organisations or people following suit, not because they think it’s the right thing to do, but because they have to do it, in order to hit targets for the business case for example. “Diversity policy has always seemed to be driven by semi-coercion rather than social commitment.” The old adage perhaps rings true here used by Mary Wollstonecraft Shelley, the famous British writer and feminist, and the author of Frankenstein (1818) when she writes in the notes of Chapter 5 of her 1792 treatise, A Vindication of the Rights of Woman, “convince a man against his will, he’s of the same opinion still.” (6) In other words trying to convert the unconverted is futile, they may appear to agree on the surface but underneath, they are still of an opposing opinion and the more and more you try and get them to see from your perspective, unless they genuinely can do so, it will only push them further and further away. An example of this playing out in the workplace is where an employee will do what needs to be done, and speak to being inclusive, yet their actions will be incongruent. Therefore, learning how to reach the unreachable’s is as important as preaching to those already converted. How do you bring everyone on board?
Another interesting point to raise, which is not necessarily the focus of Nwonka’s article, is how the word “diverse” of late, seems to be used in a reductive way. In a linked article (7), English arts bodies slow to become more diverse, report shows (2019), the term is being used when describing the types of leaders that organisations had either recruited or wanted to see, in lead positions. They are referred to as “diverse leaders”, but who is classed as such or rather, how are we contextualising the word diverse? Are we talking about diverse by proxy of identity and if so, which identities fall into the bracket of being diverse? Within the article the reference to diverse leaders was being made after speaking about the rising number of Black and minority ethnic people being appointed to leadership positions, although the article does speak to the lack of representation in relation to disability? More often than not however, we are seeing what appears to be Freudian slippages where diverse or diversity equates to simply speaking about racial difference and even within that, it appears to be very binary.
Therefore, if there is a common misconception over what is classed as diverse, then what constitutes the non-diverse? These conversations hark back to the universalising of whiteness as the norm, that which goes as the unsaid. According to the cultural studies thinker John Storey, by not being seen as raced, white people become the human race:
As such, whiteness is an incredibly powerful cultural construct (not, as we have noted, biologically determined). It is against this norm that all others are invited to define themselves. We might note that white people are seldom articulated as ‘white’, they are just ‘are’. In news stories, if somebody is white they are invariably not identified as such in text. Model. Writer. Director. As opposed to Black model. Black writer. Black director. White people eat food. Theirs is not ‘ethnic food’. They wear clothes. Theirs is not ethnic fashion…. By not being “raced”, they become the human race.’ (Storey, 2009) (8)
And here lies the connection with using the term diverse, where Black and ethnic minorities and all marginalised under-represented groups are to diverse, as whiteness and hetero-normative culture is to the non-diverse.