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Alice Wong, the disability activist, writer and gamechanger sadly passed away last month on the 14th of November 2025. Wong was a pioneer of the Disability Justice Movement and there have been floods of accounts and powerful testimonies of who she was and the impact that she has left on the lives of many people, including friends and family, collaborators, and more centrally, to the community of disabled people, that she had tirelessly advocated for and with. As someone living with muscular dystrophy and self-identified as a “disabled cyborg”, she used a powerchair and assistive breathing devices, as well as text-to-speech technology, following losing the ability to speak in recent years. However, she used her voice to not only to raise awareness around the different complexities and challenges of people living with disabilities, and their experiences, but she did so in a way that spoke to the everyday experiences of being disabled, in all its forms, shapes and sizes.
Wong was also the daughter of Honk Kong immigrants, and it was due to these overlapping experiences, that she took aim at dismantling the systemic structures that disadvantaged disabled people, especially those from marginalised groups, whether they be people of colour, immigrants or members of the LGBTQ+ community. She was an advocate for ensuring that people with disabilities should have the full autonomy to live their lives, on their own terms and without permission from others.
Whilst equality, diversity and inclusion (ED&I) is my line of work and more specifically a way of life, I’m aware that the field of disability inclusion, is something that I still need to learn more about, especially where those experiences of disability are outside of my own lived experience. Indeed, even coming across the work of Alice Wong, only came recently, on a visit to the V&A exhibition Design and Disability, which is currently on display until the 15th of February 2026. In this fantastic show that looked at all things around disability, accessibility, communicative technology, art, design and fashion, it was here that I came across Wong’s edited book Disability Visibility: First-Person Stories from the Twenty-First Century (2020), that was being sold in the gift shop.
In addition to purchasing this book, I also bought the exhibitions catalogue of the same name and the children’s book You’re So Amazing (2023) by James & Lucy Catchpole, with illustrations by Karen George. This beautifully written and illustrated story, won the award for the most inclusive book for children in 2024. This is a story about a little boy called Joe with one leg, and how as a society, we respond to those with disabilities, and how we can do better, in sometimes, not “over doing it”.
To celebrate the impact of Wong’s legacy, this article will reflect on some of her words and themes from the book. Whilst the breadth and range of the collection of essays and contributors, aren’t necessarily the focus of this article, for that I urge you as a reader to do the work and get the book, but it is her voice, as the thread that glues them all together that I’ll be drawing upon, as a call to action and a beacon of hope.
This article was written by Dr Ope Lori, Founder and CEO of Pre-Image Learning and Action.
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